Triody

点石 | Auto Video Editing Agent

E-comm

Problem & Demand

Qingdao Dianshi Stationery needs a constant stream of high-performing video ads for their extensive product catalog. The manual pipeline — find viral references, write scripts, cut footage, add subtitles and music — was their biggest bottleneck.

Each video editor in the Qingdao team could produce only 3 videos per day. With hundreds of SKUs to promote across multiple e-commerce platforms, the math didn't work. Products went without video support. Revenue was left on the table. The team needed to break through a throughput ceiling that manual workflows simply couldn't cross.

Solution

We built an automated video production agent on top of FireRed-OpenStoryline, an open-source video generation framework. Starting from a solid open-source foundation allowed us to deliver a production-ready system rapidly — and the client's requirements were extensive and specific:

点石 video automation requirements — covering the full pipeline from script to final output
点石 video automation requirements — covering the full pipeline from script to final output

Based on these requirements, we designed a modular system architecture. Each stage — template discovery, script generation, automated editing, subtitle generation, voiceover, and music layering — operates as an independent, tunable component. The team can adjust creative quality per stage without touching the rest of the pipeline.

点石 Agent system architecture — modular design, each stage independently tunable
点石 Agent system architecture — modular design, each stage independently tunable

The video below demonstrates the FireRed-OpenStoryline base system in action. This is the foundation we built upon and customized for 点石. The deployed version cannot be shown publicly due to confidentiality terms — but the core video generation capability is demonstrated here.

FireRed-OpenStoryline base demo (the foundation we customized; deployed version under NDA)

The agent integrates directly with the team's existing file storage and workflow tools. Editors don't need to learn a new system — output lands where they already work, ready for review and final polish.

The results, measured in the Qingdao team's own numbers:

Each video editor went from producing 3 videos per day to 10–12 videos per day. A 3–4× throughput increase per person — meaning the same team can now support the entire product catalog without hiring.

We achieved this while keeping token costs exceptionally low through a Token Plan strategy: critical creative decisions — script structure, hook design, pacing — route through top-tier models where quality matters most. Routine processing — subtitle generation, format conversion, music layering — uses cost-efficient secondary models. Every AI inference dollar is maximized for creative impact, not wasted on commodity tasks.